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Both the contemporary lyric poem and contemporary dance speak, explicitly or obliquely, to the separation between the speaking, moving self and their ungovernable experiences of the world; dance scholar Linda Caruso Haviland notes that the disappearing trace of the moving self is a crucial fact of witnessing dance performance. In response to Williams’ poems, dancer/choreographer Ashley Anderson and videographer Nora Price have created a three movement multimedia dance composition, with vignettes of a dancer moving in and through reclaimed images of the past.
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originally published by The Shore
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Ode to the Eye from Marie Craven on Vimeo. |